Boeddhabeeld in dhyanamudra afkomstig uit een nis van de Borobudur. Possibly 1873 - 1879

Editor: Here we have Isidore Kinsbergen's photographic print of a Buddha statue, probably taken between 1873 and 1879. It radiates serenity, doesn't it? All that calm in a single, still image. What symbols or ideas do you find most present in this work? Curator: Well, let's consider the "dhyanamudra," the hand gesture. Notice how the hands are resting in the lap, right hand over left, palms upward. It’s a potent symbol of meditation and attaining enlightenment, and we can trace its resonance through centuries of Buddhist art. Doesn't it suggest a closing off from the external world, a turning inward? Editor: Absolutely. The figure's closed eyes and posture definitely emphasize introspection. So, this mudra has held its meaning for how long? Curator: Oh, for millennia! Think of all the hands that have replicated this gesture, physically or artistically, each connecting to the last through shared faith and aspiration. This single, repeated image carries centuries of hope, and transcendence. Consider the broader cultural context here - it's not just a statue but a cultural touchstone. What feelings arise for you looking at it now? Editor: Knowing the history gives me a stronger sense of connection. I am drawn to how such simple hand gestures, repeated and represented through time, can carry so much significance. It speaks volumes about continuity of faith and cultural memory, doesn’t it? Curator: Precisely! This photograph documents a sculpture, of course, but it also participates in this continuity, helping to extend it further. Editor: I hadn't thought of it that way - a document and participant at the same time! It brings another layer to understanding how we engage with images. Thanks!