Emperor Decius from Icones Imperatorum Romanorum, plate 60 from Woodcuts from Books of the XVI Century c. 1557 - 1937

Curator: We are examining "Emperor Decius from Icones Imperatorum Romanorum, plate 60 from Woodcuts from Books of the XVI Century", created circa 1557 and no later than 1937, currently residing at the Art Institute of Chicago. It's a drawing and print on paper by Hubert Goltzius, depicting a Renaissance-era portrait in the style of antiquity. Editor: This piece has a very classical, almost stoic feel, doesn't it? The circular frame emphasizes the profile, like an ancient coin or medallion. What strikes you most about the work? Curator: Indeed. Let us look closer at its form. Notice the line work, the deliberate etching, to build up the modeling of Decius’s face and the draping of his garments. Consider the visual effect produced by the contrast between the dense areas of hatching and the flat, blank paper. Are you noticing how this careful formal interplay works? Editor: Yes, it is compelling how the different line densities bring forth form. But why frame the portrait with a circle? I can't help but read some symbolism there, and in the text above the portrait too. Curator: Ask yourself whether these apparent references enhance or distract from what is visibly rendered. Is the visual balance altered or strengthened? One cannot easily discount the lettering which is part of the work, yet in our assessment it is important to understand and prioritize the foundational, formal attributes. Editor: I understand now why understanding line, form and visual presentation provides the tools for a thorough, insightful analysis. It has truly offered me new perspectives. Curator: I too have enjoyed reflecting anew on these vital visual relationships. Thank you.