Portret van keizer Ferdinand I by Joos Gietleughen

Portret van keizer Ferdinand I 1557 - 1559

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drawing, print

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drawing

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print

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11_renaissance

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coloured pencil

Dimensions height 177 mm, width 174 mm

Curator: Here we see “Portret van keizer Ferdinand I”, or “Portrait of Emperor Ferdinand I” by Joos Gietleughen, created between 1557 and 1559. This artwork is rendered as a drawing, existing as a print. Editor: My immediate impression is one of careful, almost labored detail. There is an incredible stiffness in the figure, contained within a circular frame that somehow intensifies his presence while simultaneously freezing him in time. Curator: Indeed. Notice how the artist utilized that circular frame, mimicking the visual language of commemorative medals and ancient coinage. The imagery aims to convey not only Ferdinand's physical likeness, but his inherent status as an Imperial ruler. The image serves as a powerful declaration, meant to underscore his reign, his legacy, in printed form for a vast audience. Editor: And look at the execution—the deliberate application of what appears to be colored pencil mimics the effect of an engraving while giving it a softer, more human touch. The choice to portray him in profile lends itself to both an antique and eternal aesthetic. He becomes a type, an icon rather than just a person. Curator: The very placement within the book adds another layer to its symbolic meaning, considering it's surrounded by text discussing religious dissension. To understand the context, Ferdinand’s reign was marked by deep religious division during the Protestant Reformation. This portrait would reaffirm his power amid the ensuing societal disruption. His attire, heavily adorned, functions as a symbolic bulwark of his authority in turbulent times. Editor: Fascinating. This portrait becomes less about an individual, Ferdinand, and more about the visual rhetoric of power itself. Each element - the controlled medium, the coin-like framing, the lavish clothing - is carefully curated to communicate unshakable authority. Curator: Indeed, its placement is an intricate, visual declaration amid profound upheaval. Editor: In short, it is far more than just a face—it’s an exercise in constructing authority in the face of a changing world.

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