Twee reigers staande in het water by Kaihoku Yusho

Twee reigers staande in het water 17th - 18th century

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paper, watercolor

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asian-art

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landscape

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ukiyo-e

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figuration

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paper

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watercolor

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coloured pencil

Dimensions height 103 cm, width 57.8 cm, width 638 mm, diameter 48 mm, diameter 28 mm, height 7.5 cm, width 67.5 cm, depth 8 cm

This painting presents two herons standing serenely in water, captured with delicate brushstrokes. In East Asian art, the heron is no mere bird; it embodies longevity and purity, often linked to wisdom and the spiritual journey, symbols deeply rooted in Taoist and Buddhist philosophies. Consider the ancient Egyptian Bennu bird, a heron symbolizing rebirth and the rising sun. The visual echo is uncanny. This symbol of renewal traverses time and cultures, doesn’t it? The heron’s poised stance and focused gaze carry echoes of vigilance and contemplation. It is reminiscent of the watchful figures in Renaissance art—the stoic saints or contemplative philosophers. Here, in the East, this motif has been internalized, shaped by Confucian ideals and imbued with the weight of centuries of cultural memory. The image engages us on a subconscious level, prompting reflections on our own journey through life. Observe how this symbol has resurfaced, evolved, and taken on new meanings across different eras, a testament to its enduring power.

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