Langoustines 1800 - 1825

Editor: This is "Langoustines," a drawing from between 1800 and 1825 by Mori Sosen, held at the Rijksmuseum. It appears to be ink and watercolour on paper, mounted as a hanging scroll. It’s quite striking, stark even. What can you tell me about it? Curator: Striking indeed! Let's consider what the humble langoustine might symbolize within the context of Edo-period Japan. What power dynamics are at play here? Is it a celebration of the natural world, or does it perhaps hint at the socio-economic realities of the time – perhaps the artist hinting at the disparity of life where some have seafood delicacies and some do not? Editor: I hadn’t thought of it like that! I was too focused on the realistic style. So, this realistic depiction...was that also a conscious choice, perhaps contrasting with more traditional art forms of the time? Curator: Precisely! And realism, especially when focused on everyday objects, can be quite subversive. By elevating the langoustine to the level of artistic subject, Sosen invites us to consider the value we place on different elements of our world. Are we meant to consider the natural beauty around us, or our impact upon nature, particularly these crustaceans as an abundant and nutritious source? How does the method impact the meaning, I wonder. Editor: That makes me see it completely differently. What seems like a simple nature study now feels like it's questioning societal norms. Curator: Exactly. And by using the traditional scroll format, Sosen cleverly situates this critique within the established art world. Think about what it meant to display something like this in your home; it becomes a subtle act of resistance, doesn't it? It prompts questions about status and environment, and maybe about complicity too. Editor: Wow, I definitely came in with a narrow view. Thanks for expanding my perspective! Curator: My pleasure! It's in these dialogues that we uncover the rich layers of meaning embedded within art, understanding it less as a singular object and more as a conversation across time and culture.