George III and Queen Charlotte 1780

This is a black basalt cameo of George III and Queen Charlotte, crafted by Wedgwood and Bentley, between 1769 and 1780. This small piece reflects the societal structures of 18th-century Britain, with the royal couple presented in profile, evoking classical portraiture to reinforce their authority and status. The cameo provides insights into gender roles of the time. George III is depicted with strong, defined features symbolizing leadership, whereas Charlotte is portrayed with a softer, more delicate profile, aligning with conventional ideals of femininity. Consider how portraiture was used to construct and maintain hierarchies. Wedgwood and Bentley catered to elite clientele, playing a crucial role in disseminating images of power and influence. How does this intimate portrayal of the monarchs invite us to reflect on the relationship between public image and private identity, and the narratives of power embedded within seemingly decorative objects?