Henry VII, from the English Monarchs series 1731 - 1732

Curator: Jean Dassier created this striking metal portrait of Henry VII, part of his "English Monarchs" series made around 1731-1732. It resides here at The Met. What's your first take? Editor: Bronze and serious. My first thought is that if history is written by the victors, numismatics—the art of medals and coins—is sculpted by them, too. There's something about immortalizing a ruler in metal, it just reeks of power. Curator: Absolutely. The use of metal is far from accidental; it's chosen for its durability, to quite literally etch Henry's legacy into something that could last millennia. Medals also functioned as diplomatic gifts, potent symbols of royal favor, each bearing a carefully crafted message. I imagine each piece was something of a tiny propaganda piece. Editor: Indeed. The symbolic language speaks volumes. Note the way his gaze is fixed—stern, unyielding. This is a man presenting himself as a powerful and legitimate ruler, someone not to be trifled with. The attire is another signifier; ermine trim means majesty, you know? It creates a sort of halo effect, don't you think? Curator: It does. It makes you think about the burdens they carry as well as the finery of office, that a simple round can suggest so much speaks to Dassier's artistry. Also, I see this as the Age of Enlightenment reinterpreting the past; Dassier worked during an era captivated by history, seeking to codify it, categorize it, and put it on display. He isn’t merely depicting Henry; he’s offering an enlightened, almost rational, glimpse into the royal lineage. Editor: Which, let’s face it, probably involves a healthy dose of romantic revisionism. It's about creating a narrative, isn't it? One that emphasizes continuity, legitimacy, and ultimately, the glory of England. Curator: So, even a simple metal disk becomes a complex interplay of power, history, and artistry. I find it somewhat haunting; so heavy in significance despite its relatively small size. Editor: Agreed. It's a stark reminder that images are never neutral, they're imbued with the values and intentions of their creators and the societies that propagate them. Food for thought!