Wilson's photographic magazine by Edward Livingston Wilson

Wilson's photographic magazine Possibly 1892

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print, photography

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print

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photography

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photojournalism

Dimensions height 255 mm, width 177 mm, thickness 4 mm

Curator: Oh, here we have Wilson's Photographic Magazine, likely from 1892. A relic from an age utterly obsessed with capturing the fleeting image! Editor: It’s fascinating to see a whole magazine dedicated to photography at this time. The open pages almost give the impression that the viewer is discovering a well-kept secret from the past! What initially jumps out at you when you look at this? Curator: Immediately, the typography grabs me. All those quirky fonts crammed onto a single page. It reflects the ethos of the time: enthusiasm over elegance. Just imagine the smell of the paper and ink! What strikes you about the adverts? Editor: Well, the ad for "Austin's Adamantine Copper Etching Process" is intriguing, particularly with the promise of "Simplicity, Reliability, and Rapidity" -- quite the claims! It reflects a real urgency to improve and streamline photographic processes. Did these magazines actually influence photographic practices then? Curator: Hugely! They were the internet of their day, sharing tips, techniques, and, of course, the latest gear. Think of it as a constant conversation buzzing amongst photographers spread across the country and even internationally, sharing their creative vision and artistic impressions! What's interesting to consider here, beyond the technology, is the birth of a visual language, forming before our very eyes, a shared vocabulary of light and shadow. Editor: I see! So, it's not just a historical document, but a living snapshot of a community finding its voice – or, in this case, its visual language? Curator: Precisely! Each page hums with potential. An invitation into a world becoming obsessed with the power of the photographic image. This wasn't just about documentation; it was about seeing the world anew. Editor: I never thought about it that way. Seeing the art, practice, business, and the technology of early photography packaged in a single place really makes it clear photography has never been only about cameras.

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