That is Certainly Being Able to Read 18th-19th century

Curator: Goya's print, titled "That is Certainly Being Able to Read," presents a disquieting scene. My first impression is one of unease. The stark contrast and grotesque figures create a disturbing atmosphere. Editor: Looking at the etching itself, the labor and craft intrigue me. Goya's mastery of aquatint allowed him to achieve a range of tonal values, enriching the surface and adding depth to the image. Curator: Absolutely. The print reveals Goya's critique of power structures. The old man is reading while being surrounded by what appear to be demons, highlighting the corruption within enlightenment ideals. Editor: And the means of production also speak to accessibility. As an etching, this image could be reproduced and distributed widely, democratizing access to critique and commentary. Curator: I agree. Goya, in making this scene so jarring, forces the viewer to confront uncomfortable truths about their society. He does not offer any simple solutions, just stark observation. Editor: Understanding the material conditions of the print's creation allows us to appreciate how it served as a vehicle for social commentary. Curator: It leaves us questioning the nature of progress and the human condition. Editor: Indeed, and the legacy of printmaking.