Two of a Kind 1799

Curator: This is Francisco Goya's etching, "Two of a Kind," now held at the Harvard Art Museums. The print is about 20 by 15 centimeters. Editor: My first impression is one of social satire. There's a sense of veiled commentary on relationships and societal expectations, the figures feel trapped in their roles. Curator: Goya was a master of capturing the complexities of Spanish society. The print is inscribed "Tal para qual," which translates to "Like for like," or "Birds of a feather flock together." Editor: It's interesting that Goya chose etching, a medium capable of such sharp lines and contrasts, mirroring the harshness of his social critique. There's a performative aspect to it. Curator: Absolutely, the work reflects the social and political context of late 18th and early 19th century Spain, where appearances and social status were paramount. Editor: And it makes me consider how those power dynamics persist today, especially for women. It’s a bleak, but astute reflection of our society. Curator: Indeed, it gives us much to contemplate about the enduring nature of social critique and its role in art. Editor: A biting look at society through the lens of Goya's sharp wit.