The Seven Sages of the Bamboo Grove by Su Renshan

The Seven Sages of the Bamboo Grove c. 1840

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drawing, paper, ink-on-paper, hanging-scroll, ink

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drawing

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asian-art

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figuration

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paper

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ink-on-paper

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hanging-scroll

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ink

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china

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line

Dimensions: 55 1/2 x 32 1/8 in. (140.97 x 81.6 cm) (image)89 3/8 x 40 1/4 in. (227.01 x 102.24 cm) (without roller)

Copyright: Public Domain

Su Renshan made this ink-on-paper hanging scroll, “The Seven Sages of the Bamboo Grove,” sometime before his death in 1850. The image refers to a group of third-century Chinese scholars who sought refuge from court intrigue in philosophical pursuits. What might it mean to represent these figures at a time of social upheaval in China? The early 19th century saw increasing Western incursions, along with internal rebellions against the ruling Qing dynasty. Su Renshan, who spent time as a Buddhist monk, seems to have also sought refuge from a corrupt social order. His style was considered eccentric, even amateurish, and his biography suggests that he struggled to make a living as an artist. The meaning of this painting depends on understanding the social and political conditions of the time, as well as the artist's biography. Research into these areas can help us understand the painting's historical significance.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Although Su Renshan led a tragic life, he was one of the most modern, inspired, and unique artists of the nineteenth century. He broke the traditional mold of literati painting using completely new techniques, compositions, and visions. While precociously gifted in painting and calligraphy from youth, he failed the civil examinations twice, was anti-social, held violently anti-Manchu views, and was accused by his father of filial impiety, a serious charge that resulted in his being thrown out of his clan and imprisoned. It is essentially only through his paintings composed of sparse calligraphic brushwork and simple compositions that we know anything at all of the man. In this classic work, Su depicts the ancient literati theme of the Seven Sages of the Bamboo Grove with a brevity of brushwork that achieves an almost cartoon-like quality in the characterization of the figures. Totally absent in this depiction is the bamboo grove itself which, in nearly all literati paintings of this theme, is included to identify the seven figures.

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