The Oystercatcher Dance (Miyakodori), from the series "Beautiful Dance Customs (Adesugata odori fuzoku)" by Kitao Shigemasa

The Oystercatcher Dance (Miyakodori), from the series "Beautiful Dance Customs (Adesugata odori fuzoku)" c. 1778

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print, woodblock-print

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portrait

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ink drawing

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ink painting

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print

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asian-art

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ukiyo-e

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figuration

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woodblock-print

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genre-painting

Dimensions 12 1/2 × 8 3/4 in.

Curator: What a beautiful print. It’s called “The Oystercatcher Dance (Miyakodori),” part of the series "Beautiful Dance Customs (Adesugata odori fuzoku)" by Kitao Shigemasa, dating from around 1778. Editor: Two figures intertwined, caught in mid-gesture, maybe mid-laugh? There's a joyous sense of movement despite the stillness of the woodblock. Curator: Absolutely. Shigemasa captures that lively energy of ukiyo-e. The way he's used line, that subtle curve in the dancer's kimono… it almost mimics the ebb and flow of waves on the shore. Look closely, and you'll note how their robes echo similar patterns. Editor: Interesting. You see a unity, I initially see a divergence. I fixate on how the colors play—the stark white of one dancer's fan contrasting with the soft pinks and greys, that almost faded palette adding a dreamlike quality. And it's so flat; depth is suggested more through line than volume. It feels deliberately artificial. Curator: That deliberate artifice speaks to the performance element of it all, don’t you think? Their gestures, their powdered faces, they're putting on a show. The print doesn't aim for realism, it wants to depict an idealized version of a popular dance, infused with a playful and slightly theatrical spirit. It's all about visual pleasure, really. Editor: And that brings us back to the flatness, doesn’t it? It's not about trying to trick the eye, but celebrating the graphic, almost calligraphic quality of the print. Even the inscription in the top right adds to the composition as much as it adds textual content. I’m thinking semiotics here... the whole thing sings! Curator: Right, the dance isn’t just about movement, or realism, it’s about symbols and layered meanings within the culture, a cultural snapshot available through print. Editor: It's the kind of piece that makes you want to throw on some pink silk, pick up a fan, and join in on the fun. Now I see what you were hinting at about idealized, or symbolic expression through joyful dance.

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