Untitled (construction of buildings, two men with crane) c. 1950

Editor: This gelatin silver print, simply titled "Untitled (construction of buildings, two men with crane)" by Jack Gould, feels like a snapshot of mid-century progress. What statements do you think this piece makes about the public role of labor? Curator: It’s fascinating how Gould captures the raw energy of urban development. Notice how the crane dominates the composition, almost like a monument. This reflects the post-war faith in industrial prowess. Do you see a parallel between the subjects and the structures they’re erecting? Editor: Well, their efforts contribute to shaping the urban landscape, so they are also constructing their identity and community. It is interesting to see how their work is also impacting their own culture. Curator: Precisely! It prompts us to question the politics of imagery surrounding labor. Was this image meant to glorify or critique the process of building? Food for thought.