Untitled (construction of buildings, crane lifting large objects) c. 1950

Editor: Here we have Jack Gould’s "Untitled," a small, six-by-six centimeter gelatin silver print featuring a construction site. It feels very industrial, almost chaotic, with all the lines and shapes. What stands out to you? Curator: The image’s strength lies in its composition. The stark contrasts and geometric forms—crane against the building—create a dynamic tension. The negative space above accentuates the weight and scale of the industrial components. Editor: So, you're drawn to the formal elements, not necessarily what's being depicted? Curator: Precisely. The subject matter is secondary to the artist’s manipulation of light, shadow, and form. The overall effect is a potent visual statement on the aesthetics of industry. Editor: I see what you mean! Thanks for shedding light on that. Curator: A pleasure. It is about seeing form and structure in the every day.