Kermisprent van de Amsterdamse nachtwacht voor het jaar 1859 by Friedrich Robert Prinz

Kermisprent van de Amsterdamse nachtwacht voor het jaar 1859 1859

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graphic-art, print, engraving

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graphic-art

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print

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old engraving style

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cityscape

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genre-painting

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engraving

Dimensions: height 315 mm, width 210 mm

Copyright: Rijks Museum: Open Domain

Curator: Look at this, a print from 1859 called "Kermisprent van de Amsterdamse nachtwacht voor het jaar 1859", created by Friedrich Robert Prinz. Editor: Oh, it's quite charming! There's a bustling market scene depicted, a real slice of Amsterdam life back then. The delicate engraving gives it such a wistful air. Curator: Exactly, it is a fascinating example of graphic art of the era. Look closely; you can observe how the cityscape becomes a stage for daily social interactions, revealing values linked to communal celebration and civic awareness. Editor: And how carefully they’ve rendered the figures! There's almost a comedic feel in how these top-hatted figures interact against such meticulously drawn backgrounds. It’s like they stepped out of a stage play! Curator: The choice of printmaking, specifically engraving, allowed for wider distribution. This wasn’t just high art for the elite; it was accessible, circulated at fairs, thus entering everyday life—note also the accompanying poem! Editor: True, you almost hear the clatter and chatter of the market from the picture; and there is this other textual component I unfortunately don't quite get, but seems to support the engraving like its twin! Curator: One might consider how labor was divided during the creation and sale of such prints. What were the working conditions like for Prinz? How did prints like these shape the economy for artists like him, particularly around public spectacles and announcements? Editor: Good questions. All these faces rendered! There is so much going on... And suddenly, seeing it this way, gives me the urge to know the stories of all these folks mingling through a fair of centuries ago. What a fascinating moment suspended in time! Curator: Precisely, seeing these objects and appreciating their accessibility through art as something ingrained in our own past becomes an interesting insight. Editor: It indeed has been! From whimsy and delicate lines, now I understand this little Amsterdam vignette much better and also appreciate it a great deal!

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