Reclining Nude Leaning Left, Head Turned Right by Mark Rothko

Reclining Nude Leaning Left, Head Turned Right 

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drawing, pencil

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drawing

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ink drawing

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pencil sketch

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figuration

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pencil

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line

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nude

Dimensions: overall: 21.6 x 28 cm (8 1/2 x 11 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Here we have "Reclining Nude Leaning Left, Head Turned Right," a pencil drawing attributed to Mark Rothko. I find the simplicity of the lines quite striking. What are your initial thoughts on this work? Curator: Well, first I'm interested in the pencil itself. The graphite, mined and processed, represents a specific industry and labor force. Even the paper has a history—the rags processed to create a surface for Rothko. Knowing Rothko primarily as a painter, I immediately wonder: what led him to choose this 'humble' medium for this subject? Was it about accessibility of materials or did he prefer this for sketches? Editor: That's interesting; I hadn’t considered the implications of the materials themselves. The 'humble' nature of a pencil makes sense with the intimacy of the nude. Curator: Exactly. The sketch quality is crucial. Pencil allows for corrections, second thoughts—evidence of process right there on the page. He leaves the trace visible of building up the form of this figure, rather than concealing them beneath layers of paint, as in his more well-known work. The physical act of drawing is foregrounded; there’s a relationship being built between the artist, the model, and the tool. It exposes labor, in contrast to how we perceive his large color field paintings. What does this juxtaposition tell us about the changing boundaries between craft, labor and 'fine' art? Editor: I see what you mean. It pushes back against notions of artistic genius that seem divorced from the physical work. It’s not just inspiration, but deliberate engagement with readily available resources. Curator: And this raises questions. Where does art begin: the idea, the skill, or the material itself? Is the commodity fetish diminished by using everyday materials to render what's been termed high art? Editor: I’ll definitely think about the labor and accessibility differently next time I see a drawing. Thanks! Curator: Indeed. It brings art closer to daily existence, wouldn’t you say?

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