Woman's Skirt c. 20th century

Editor: This is a Woman's Skirt, dating back to around the 20th century, crafted by Gejia, Miao. It’s a beautiful example of textile art from China, made of cotton. I’m really struck by the way the geometric patterns create a sense of movement; it feels like it could start spinning any minute. What do you make of it? Curator: Spinning is a fine image to capture, because as I observe this piece, I almost hear music, the hum of a loom, maybe the chatter of women gathered together making something beautiful, meaningful, perhaps a touch rebellious, what do you think? It is really interesting that the geometry in play here isn’t just decorative. The skirt acts like a visual language. Imagine, the weaver choosing colors and patterns as symbols, as a way of quietly asserting cultural identity. Have you looked at what they do with natural dyes from plants and insects? It almost breathes the colours of Earth, but re-ordered. Editor: It's fascinating how textiles can carry so much meaning. I was so focused on the visual, I almost missed that element. Is this piece typical of Miao skirts from that era? Curator: Typical, yet incredibly unique. Many skirts would incorporate geometric designs, use natural materials, and have that beautiful, laborious pleating. What I mean by 'unique' is it might represent the vision and the experience of the creator, one specific woman channeling tradition through her own filter. That is very powerful and what stays with us. Editor: So it’s a blend of shared cultural heritage and individual expression. Thinking about it that way really shifts how I see the skirt, doesn't it? Thank you! Curator: My pleasure, and just a tiny comment here: let us also try to see our own history in it.