Gezicht op een dorp met een kerktoren 1890 - 1946

Cornelis Vreedenburgh made this landscape drawing, titled “Gezicht op een dorp met een kerktoren”, with graphite on paper. It’s a sketch, really, a quick study of a village dominated by the spire of a church, and it shows how much can be conveyed with very little. Look at the repeated marks, especially around the lower half of the building. They are like scribbles but also intentional, mapping a kind of visual shorthand for texture. See how the hatching gives a sense of depth, but also flattens out again? I love that push and pull. There’s a looseness that captures the essence of the subject without getting bogged down in details. The drawing feels so immediate, so direct. The marks build up a subtle, almost ghostly image. It reminds me a bit of Guston’s loose, atmospheric drawings. Ultimately, it’s about the process, the artist thinking through the act of drawing itself.