Monkey on the tree 1910

Ohara Koson, sometime in the early 20th century, made this image of a monkey in a tree, most likely with woodblock printing. It’s so delicate, with colours that blend almost imperceptibly, a real testament to the subtlety of the process. Look at the way the grey wash is applied, it feels like the painting equivalent of a sigh. The colour saturation is low, and the tones are muted, making it all feel very gentle and still. Even the way the branch curves feels relaxed. And notice the texture on the branch itself, how it seems to be both there and not there, a kind of ghostly presence. It reminds me of Cy Twombly’s paintings, the way he suggests forms with a minimum of means. This piece isn't about loud statements, it's about quiet observation and a deep appreciation for the beauty of the natural world, and the monkey's thoughtful gesture really elevates this. It's a reminder that art doesn't always have to shout, sometimes it can whisper.