Bust of a man with a hanging moustache, a ponytail hangin down from the crown of his head and hat hanging suspended from a cord wound around his neck, the left side of the man's face is seen in profile by Melchior Lorck

Bust of a man with a hanging moustache, a ponytail hangin down from the crown of his head and hat hanging suspended from a cord wound around his neck, the left side of the man's face is seen in profile 1582

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print, woodcut

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portrait

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print

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figuration

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11_renaissance

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woodcut

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line

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northern-renaissance

Dimensions: 91 mm (height) x 68 mm (width) (bladmaal)

Curator: Look at the texture Melchior Lorck achieves in this woodcut, dating back to 1582. It's currently held at the SMK, Statens Museum for Kunst. What's your initial read? Editor: Stark! The stark contrast of the black lines creates an almost confrontational image, there's a definite intensity about this man. Curator: Precisely! Think of Lorck’s era; printmaking served to disseminate images and ideas rapidly, impacting societal dialogues across different social strata. This “Bust of a man with a hanging moustache..." disrupts typical portraiture. What do you make of the ponytail, the hat hanging from his neck? Editor: It challenges hierarchies. The dishevelment undermines nobility, yet the penetrating gaze still commands a certain presence. There is an inherent defiance against conventional portraiture that makes it interesting from the perspective of marginal identities. This depiction subverts idealized masculine norms. Curator: Good point. It's worth exploring how Lorck navigates imperial representation and identity formation, offering glimpses into complex power relations of the period. The hanging hat is intriguing. Is it a symbol of rejection, perhaps, of societal norms, or is it just happenstance? Editor: Exactly! Think of the agency being asserted by the sitter in terms of identity politics. And, of course, this wasn't just Lorck's vision in isolation. Consider who this man *was* in his context. Was this subversive self-fashioning, or performance in the presence of a European audience? Curator: All extremely valid. Analyzing it with the backdrop of artistic patronage also highlights its significance. These portraits, though seemingly individual, played roles within broader cultural and political contexts. Editor: I see a nuanced negotiation of power being depicted. Analyzing it further will hopefully unveil greater meaning of its function and creation within a given time frame. Curator: I concur! The complexities surrounding Lorck’s artwork continues to offer rich layers of interpretation through different socio-cultural frameworks. Editor: This woodcut speaks volumes beyond mere physical depiction and I want to further contextualize it within the narrative of subversion and empowerment that continues even in current modern dialogue.

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