Lunette by Louis Henri Sullivan

relief, terracotta, architecture

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art-nouveau

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relief

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geometric pattern

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geometric

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terracotta

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decorative-art

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architecture

Curator: Oh, the 'Lunette' by Louis Henri Sullivan, dating back to 1884-1885. It’s a terracotta relief, currently residing here at the Minneapolis Institute of Art. It’s a beautiful example of decorative architectural art. Editor: I have to say, even just at first glance, there's something so vibrant and optimistic about it! All of the earthy hues and naturalistic design choices feel really restorative to me. What would you say? Curator: Absolutely. There’s a real sense of organic growth expressed through this rigid medium. Notice how Sullivan contrasts these bold, almost geometric floral patterns with fluid, swirling lines. It feels like he’s trying to reconcile structure and nature, right? The arch is cut into three sections which helps focus our attention on these different organic and flowing patterns. Editor: Right, it really embodies the spirit of Art Nouveau! Those stylized, swirling motifs… But I see more than just aesthetic pleasure here. Sullivan was working in a period of massive industrial expansion. Isn’t this artwork, in a way, a rejection of that harsh, mechanical world? An assertion of beauty and organic form in a rapidly changing urban landscape? Curator: Yes, there is undoubtedly that element of resistance, especially given the era and his own design philosophy which pushed for beauty through usefulness in architecture. But there's also celebration in it, too. It's like finding that small plot of beauty, that secret garden, amid the metal and grit. This piece breathes… but with rules. I wouldn't take it all quite so seriously! Editor: Well, if art isn't about prompting questions about our relationships to the spaces we live in, the social orders we reinforce, I am not sure what is the point? But the fact that we have differing views I find really incredible about this particular piece! There is something for everyone in these subtle patterns and colours. Curator: Absolutely. It’s like it quietly holds its own story about the changing world. Editor: I'll leave with this: May we learn to value and protect our own "terra cotta gardens" – spaces that hold beauty, nature, and freedom, just like Sullivan created. Curator: Nicely put! And for me, it inspires a bit more rule-bending! Finding ways to balance that wild growth with mindful design. Thanks.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Louis Sullivan designed these terracotta panels for the exterior of the Scoville Building in Chicago, one of the Adler and Sullivan firm's earliest commissions. It required them to remodel an existing Adler structure to accord with a new, much larger addition. The terracotta pieces shown here formed part of the organic decoration of stylized plants with which Sullivan tied the two buildings together. This lunette ornamented the arch above the windows of the top (fifth) story. It has an undulating design of ferns unfurling and would have complemented other organically-inspired terracotta pieces throughout the exterior. [Insert photo of lunette in situ - photo by Orlando Cabanban]

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