print, textile, typography, engraving
textile
typography
engraving
Dimensions height 156 mm, width 92 mm
This is the title page from "The Roman Uylenspiegel", printed in Amsterdam in 1671. It was made with movable type, a technology that had been around for a couple centuries by this point, but was really hitting its stride. The inky, high-contrast effect is a direct result of the printing process. Each letter was a separate piece of metal, carefully arranged and then pressed onto the page. Look closely, and you can see the slight variations in pressure, the way some letters are darker than others. This wasn't a perfect, seamless process like we're used to with modern printing. It was a craft, requiring skill and precision. And that's important because this book wasn't just about information, it was about spreading a particular viewpoint. The title itself, "Roman Uylenspiegel," suggests a critical, perhaps satirical, look at the Catholic Church. The printing press allowed for the mass production and dissemination of such ideas, fueling social and religious debates. So, when you look at this page, remember it's not just words on paper. It's a testament to the power of craft, technology, and social context, all working together to shape the world we live in.
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