About this artwork
Editor: Here we have "Length of upholstery silk," a textile created between 1765 and 1775 by Philippe de Lasalle. The intricacy is really what strikes me – you can almost feel the texture just by looking at it. It makes me wonder, what kind of spaces did something like this adorn back in the 18th century? Curator: Oh, imagine rooms draped in this, echoing the gardens just outside! This isn't just cloth, it's woven aspiration, a yearning for the idealized pastoral life that was so fashionable. Notice the vase overflowing with flowers, almost bursting forth – it’s the Rococo spirit in textile form, celebrating nature but doing so with a touch of whimsical drama. Do you pick up on any underlying tension? Editor: Tension? Well, it feels quite balanced to me... orderly even. Curator: But consider: it's all artifice. Think about the intense labor, the constraints involved in weaving this complex design. And yet, it's presented as effortless beauty. Perhaps, there's a subtle commentary there, about the masks we wear, the effort we put into maintaining a polished façade. Or am I reading too much into floral arrangements? Editor: That’s a thought! I never considered the work behind it. It's easy to just see the beauty. Now I see it a bit differently, the work really emphasizes this time of intense societal construction and idealization. Thank you for the context! Curator: It makes you wonder how silk may feature in social commentary these days, right? Perhaps an exploration for another day...
Length of upholstery silk
1765 - 1775
Philippe de Lasalle
1723 - 1804The Metropolitan Museum of Art
Metropolitan Museum of Art, New York, NYArtwork details
- Medium
- silk, weaving, textile
- Dimensions
- L. 34 1/4 x W. 22 inches 87.0 x 55.9 cm
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
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About this artwork
Editor: Here we have "Length of upholstery silk," a textile created between 1765 and 1775 by Philippe de Lasalle. The intricacy is really what strikes me – you can almost feel the texture just by looking at it. It makes me wonder, what kind of spaces did something like this adorn back in the 18th century? Curator: Oh, imagine rooms draped in this, echoing the gardens just outside! This isn't just cloth, it's woven aspiration, a yearning for the idealized pastoral life that was so fashionable. Notice the vase overflowing with flowers, almost bursting forth – it’s the Rococo spirit in textile form, celebrating nature but doing so with a touch of whimsical drama. Do you pick up on any underlying tension? Editor: Tension? Well, it feels quite balanced to me... orderly even. Curator: But consider: it's all artifice. Think about the intense labor, the constraints involved in weaving this complex design. And yet, it's presented as effortless beauty. Perhaps, there's a subtle commentary there, about the masks we wear, the effort we put into maintaining a polished façade. Or am I reading too much into floral arrangements? Editor: That’s a thought! I never considered the work behind it. It's easy to just see the beauty. Now I see it a bit differently, the work really emphasizes this time of intense societal construction and idealization. Thank you for the context! Curator: It makes you wonder how silk may feature in social commentary these days, right? Perhaps an exploration for another day...
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