Terracotta fragment of a krater (deep bowl) 530 BC

Editor: So this is a fragment of a terracotta krater, which is like a deep bowl, dating back to 530 BC. It’s housed at the Met. Looking at this shard, I'm struck by the intensity of the gaze. It’s such a small piece, but so expressive. What catches your eye? Curator: Well, it's a whisper from antiquity, isn't it? I'm drawn to the negative space, the black glaze acting like a spotlight on that ochre face. It makes me think of the stories this krater must have held, the symposiums it witnessed. It’s as if a silent drama is unfolding in profile. How do you imagine this face within its original context, on the complete krater? Editor: I picture a scene of revelry, perhaps a symposium. This figure, maybe a philosopher or a poet, caught in a moment of contemplation amidst the celebration. I see so much tension and constraint but also subtle sensuality. Do you feel a relationship between line and form in defining character? Curator: Absolutely. That firm jawline against the elaborate, almost baroque, hair – a dance between control and wildness. And that almond-shaped eye! It holds a depth, hinting at inner thoughts, or maybe secrets. A lot could be said of that eye alone. It might be that perfect combination of ideal and real which can speak volumes in ancient art. Do you think the limitations imposed on the artist because of the ceramic format ultimately influenced creative choices? Editor: That's a fantastic point. Knowing that the artist worked within the constraints of the ceramic surface definitely shapes my perspective. The flat profile, the precise lines – everything feels intentional. The very fragment screams of untold stories and techniques. Curator: Precisely. Each curve whispers of vanished artistry and untold lives. Imagine the artisan, painstakingly creating these figures. I almost sense a personal connection to their process of crafting each character on those large vases used during ceremonial rituals and other events. I’m constantly mesmerized when witnessing history preserved in art! Editor: Definitely makes you think! I’ll be sure to look closely at those black lines from now on!