Pair of altar cruets 1784 - 1785

Editor: Here we have a pair of altar cruets, crafted by Jean-Ange Loque in 1784-1785. They’re made of silver and are currently housed at the Metropolitan Museum of Art. The first thing that strikes me is the intricate detailing, especially the delicate balance between the curved forms and sharp lines. What do you see when you look at them? Curator: The undulating curves certainly exemplify the Rococo style, but notice how Loque restrains the ornamentation. There is a discernible structure in the repetition of motifs and the vertical emphasis. Look closely at how the silver surface interacts with light. How does it articulate volume and form? Editor: I see how the light highlights the raised details and emphasizes the overall shape of the vessels. Is the contrast important? Curator: Absolutely. Contrast is a key element. The interplay of light and shadow enhances the three-dimensionality, animating the surface and guiding the eye. The meticulous craftsmanship reveals a profound understanding of material properties, doesn’t it? Editor: Yes, definitely. I hadn’t quite appreciated how the manipulation of light contributes to the overall effect. It is almost like he is painting with silver. Curator: Precisely! Loque's mastery is in achieving this balance, constructing both form and surface interest. The use of these forms in sets reinforces a sense of unified design. Editor: That's fascinating! I’ll definitely look at decorative arts differently from now on, appreciating the subtleties of form and material. Curator: And I've rediscovered how functional objects can still carry great formal impact when viewed through a lens prioritizing structure and surface.