Pair of candlesticks 1762 - 1764

Editor: Here we have a pair of silver candlesticks crafted between 1762 and 1764 by Jacques Roettiers. They exude a formal elegance, but what catches my eye is the verticality of the ribbed design from the base to the top. What are your thoughts on this piece? Curator: Indeed. Notice how Roettiers has meticulously structured these candlesticks, guiding the eye upwards with continuous fluting, countered by the relief ornamentation at the mid-section. Editor: So, the ornamentation at the mid-section creates visual disruption within the continuity of the lines? Curator: Precisely. Observe also how the reflected light enhances this effect. The surface is not merely decorative; it's structural, modulating light and shadow to articulate form. Do you see the subtle gradations, the interplay between concave and convex forms? Editor: Yes, now that you mention it, I can see how light creates the form. The concave element seems to push the light outwards while the convex shape directs it back. It is very sophisticated! How did this influence other silversmiths at the time? Curator: These candlesticks exemplify high baroque ideals. They likely inspired many, not necessarily through direct imitation, but by establishing standards of craftsmanship and structural sophistication. Roettiers demonstrates the profound ability of form and material to create objects of lasting refinement. Editor: This has really changed how I view these candlesticks. I had initially overlooked the deliberate manipulation of light. Curator: Precisely! Attending to visual cues unveils deeper understanding. The candlestick goes beyond pure function and emerges as a study of balance, texture, and carefully crafted illumination.