Kind en engel omhelzen elkaar by Christoffel van (II) Sichem

Kind en engel omhelzen elkaar 1628

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print, engraving

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medieval

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baroque

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print

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figuration

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line

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history-painting

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engraving

Dimensions: height 84 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Curator: Let's turn our attention to this rather poignant engraving, "Child and Angel Embracing" by Christoffel van Sichem II, created in 1628. Editor: It strikes me immediately as intensely personal, yet unsettling. The contrast between the tight embrace of the two figures and the looming castle in the background evokes a sense of confinement and longing. Curator: Indeed. Van Sichem’s masterful use of line is evident; observe how the density of the engraved lines creates areas of shadow and depth, giving volume to the figures and defining the architectural space. The textures he achieves are quite remarkable for this medium. Editor: The choice of subject is intriguing, particularly in the context of the Thirty Years’ War, which ravaged Europe at the time. Perhaps this image served as a subtle commentary on innocence endangered, reflecting the anxieties surrounding childhood and safety in a period defined by immense conflict and disease. Note also the solitary woman seemingly begging at the castle entrance; she is deliberately segregated from the embraced figures in the foreground, heightening this contrast between despair and protection. Curator: From a formal perspective, the composition utilizes a strong vertical emphasis, drawing the eye upwards towards the castle. Semiotically, the castle is, of course, an archetype of power and protection. It looms over this scene in order to further showcase humanity's search for both, through war, but especially through the promise of divinity. Editor: The very deliberate medieval setting reminds us of long established and deeply seated beliefs about destiny and divinity; the child, centered beneath the golden nimbus, offers itself in sacrifice, and so this act speaks more broadly to institutional narratives and the symbolic capital vested in faith as a means of security, but only in the afterlife. I am compelled to understand who are the power brokers standing upon that tower—do they intend salvation, or simply conquest? Curator: An excellent observation. It's clear the artist deliberately created an array of textures to enhance this allegory. Editor: Ultimately, it seems less concerned with literal interpretation and more about presenting the emotional power of yearning in troubled times. A potent message, delivered through exquisitely fine lines. Curator: Yes, Sichem delivers the message well in terms of composition and detail in order to connect to viewers. The contrast he is presenting heightens this narrative that begs further examination.

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