X-radiograph(s) of "Still Life with Birds" 

Curator: Here we have an X-radiograph of "Still Life with Birds," by Jan Vonck. It's currently part of the Harvard Art Museums collection. Editor: My immediate reaction is somber. The stark monochromatic palette combined with the image of lifeless birds evokes a sense of loss. Curator: The still life genre often reflects societal values related to mortality and consumption. This image, in particular, may comment on themes of human dominance over nature. What do you think the use of radiography adds? Editor: Radiography peels back layers, revealing hidden structures. It strips away color and surface appeal, forcing us to confront the underlying reality of death. The birds, devoid of their vibrant plumage, become symbols of vulnerability. Curator: Absolutely. By using modern technology on a classic still life, we can challenge the original context. This piece prompts us to consider our relationship to nature's exploitation, then and now. Editor: It's a poignant reminder that even seemingly simple depictions hold complex layers of meaning, and the radiographic view makes us reflect on these difficult ideas in relation to the original artwork. Curator: Indeed, Jan Vonck's imagery viewed through our modern lens gives us the opportunity to examine the legacy of human impact and our shifting perceptions around it.