First Folio F 1965

Editor: Here we have Harold Cohen’s "First Folio F" from the Tate Collections. It’s like looking at a microscopic world, a landscape of tiny dots and meandering lines. How do you read this intriguing piece? Curator: I see a dance of intention and chance, a conversation between the artist and the algorithm. It’s like Cohen unleashed a digital spirit onto the canvas, allowing it to wander and weave its own story. Do you feel a sense of narrative emerging? Editor: I think so! The lines almost feel like characters interacting with each other within the space. It's fascinating how technology can become such a deeply expressive tool. Curator: Exactly! And it makes you wonder, doesn't it, about where the artist ends and the code begins. Editor: Definitely something to keep in mind!