Karel van Mander III created this drawing of an Apostle using black chalk. The subject fills the octagonal frame, exhibiting a chiaroscuro effect, with strong contrasts between light and shadow that dramatize the figure. Mander's command of line and shading models the apostle’s form, giving weight to the aged flesh and flowing beard. Observe how the apostle’s gaze drifts downward and away, creating a sense of introspection. This focus is further emphasized through the strategic use of shadow that cloaks part of his face and body. The rough strokes suggest a coarse texture, hinting at both the physical and spiritual trials endured by the apostle. The composition, with its emphasis on emotional depth conveyed through form, echoes the period's interest in expressing inner psychological states through external appearance. This artwork is less about precise representation and more about evoking a sense of the apostle's humanity and spiritual gravitas.