H. Hieronymus 1658 - 1677

Curator: Before us we have "H. Hieronymus", an engraving dating from between 1658 and 1677, created by Wallerant Vaillant, currently residing here at the Rijksmuseum. What are your first impressions? Editor: Stark! There’s such rawness, almost vulnerability, radiating from the figure. The texture feels so tangible – I want to reach out and feel the aged skin, the roughness of his beard. It’s deeply compelling. Curator: Compelling indeed. Hieronymus, or Saint Jerome, was a theologian and scholar. What aspects of that come through for you? Editor: The book! Of course, a clear symbol of learning. But the way he's resting his hand, almost leaning, onto the book conveys exhaustion, or perhaps burdened by knowledge. And then the drapery…the swirling fabric provides an emotional backdrop, doesn't it? Baroque art loved a good swirl. Curator: Definitely. Vaillant uses the swirling Baroque style to full effect here. The composition subtly reinforces Jerome's scholarly dedication through a potent use of visual cues, such as his direct, if weary, gaze towards us and that symbolic trumpet just appearing from above and behind him. Editor: The trumpet… ah, a sign of divine inspiration. A beautiful touch that adds to the depth! This piece resonates so powerfully, precisely because it's more than just a historical portrait. It explores the complexities of wisdom, faith, and human experience, wouldn't you say? Curator: I couldn't agree more. What starts as a representational engraving opens into a window reflecting the deeper internal world of one of history's most consequential religious interpreters. Editor: A powerful study that leaves a lasting mark long after you turn away. Curator: Absolutely. A perfect synthesis of skillful artistry, symbology, and palpable human presence.