About this artwork
This print by Jan Bulthuis, made in 1786, shows a patriotic society in Amsterdam’s Nieuwe Kerk. It’s rendered in etching and probably engraving - a decidedly reproductive medium that suits the subject. Look closely, and you’ll notice the artist has paid careful attention to the reflections and gradations of light. This is a quality inherent in metal-plate printmaking, which relies on minute cuts into a surface to hold ink. And what is Bulthuis doing with this expertise? Well, he’s mass-producing an image of patriotic solidarity. Such societies were a middle-class phenomenon, and the print is perfectly pitched to their aspirations: crisply rendered, not too expensive, and easily shared. Consider the amount of labor involved in creating a copperplate engraving; the many hands involved, each contributing to the dissemination of these pro-patria ideals. This work reminds us that art is never just about individual expression. It’s also about the social life of materials, making, and the values they carry.
Genootschap Pro Patria in de Nieuwe Kerk, 1786
1786
Jan Bulthuis
1750 - 1801Location
RijksmuseumArtwork details
- Medium
- drawing, engraving, architecture
- Dimensions
- height 248 mm, width 349 mm
- Location
- Rijksmuseum
- Copyright
- Rijks Museum: Open Domain
Tags
drawing
neoclacissism
form
line
cityscape
history-painting
engraving
architecture
realism
Comments
Be the first to share your thoughts about this work.
About this artwork
This print by Jan Bulthuis, made in 1786, shows a patriotic society in Amsterdam’s Nieuwe Kerk. It’s rendered in etching and probably engraving - a decidedly reproductive medium that suits the subject. Look closely, and you’ll notice the artist has paid careful attention to the reflections and gradations of light. This is a quality inherent in metal-plate printmaking, which relies on minute cuts into a surface to hold ink. And what is Bulthuis doing with this expertise? Well, he’s mass-producing an image of patriotic solidarity. Such societies were a middle-class phenomenon, and the print is perfectly pitched to their aspirations: crisply rendered, not too expensive, and easily shared. Consider the amount of labor involved in creating a copperplate engraving; the many hands involved, each contributing to the dissemination of these pro-patria ideals. This work reminds us that art is never just about individual expression. It’s also about the social life of materials, making, and the values they carry.
Comments
Be the first to share your thoughts about this work.