De ontdekte schijndeugd: de geveinsde droefheid van Geertruy 1757

Pieter Tanjé created this print titled 'De ontdekte schijndeugd: de geveinsde droefheid van Geertruy', or ‘The Discovered False Virtue: The Feigned Sadness of Geertruy,’ using etching and engraving. In the 18th century, the Dutch Republic experienced a shift in social values, where displays of virtue and morality were highly esteemed, especially among the middle class. This print satirizes the performative nature of grief within this context. Notice how Geertruy stands at the doorway, ostensibly weeping into a handkerchief. The title suggests her sadness is insincere, a performance for those observing her. Tanjé invites us to reflect on the complex interplay between outward appearances and inner realities. The artist critiques the ways in which emotions can be commodified and used for social gain. What does it mean to perform our emotions, and how does this affect our understanding of ourselves and others?