Set of 12 paintings: Scenes from "Tales of Ise" (Ise monogatari) Late 16th to early 17th century

Editor: This painting, part of a set of twelve from the Tosa School depicting scenes from "Tales of Ise," presents a mounted figure amidst clouds and attendants. It evokes a sense of classical narrative, but I'm intrigued by its composition. What do you see in this piece, focusing on its form? Curator: Observe how the artist uses curvilinear forms—in the clouds, the mountains, the horse's mane—to create a dynamic interplay with the more rigid figures. This tension directs the viewer's eye, doesn't it? Notice also the limited color palette. What effect does that have on the overall reading? Editor: It seems to focus attention on the line work and the shapes themselves, emphasizing the design over realistic representation. I appreciate how the formal elements contribute to the story being told. Curator: Precisely. The artist uses these formal devices to distill the narrative to its essence, inviting us to contemplate the core themes through its visual language.