Parasol met dek van witte tule waarop zwart borduurwerk van telkens drie bloemen, op een witgeverfde houten stok, waaraan een gebogen ivoorkleurig handvat c. 1928

This parasol, with its deck of white tulle and delicate black embroidery, was designed by Gustav Schnitzler. The light, airy structure immediately evokes a sense of refined elegance and a bygone era of leisurely strolls. The composition is dominated by the contrast between the stark white of the tulle and the intricate black floral embroidery. The embroidered patterns of three flowers create a rhythmic visual pattern that is both decorative and structurally integral to the design. Note how the scalloped edge, meticulously crafted, provides a delicate framing to the form. The parasol’s materiality—the fine tulle, the smooth, painted wooden stick, and the curved ivory-colored handle—speaks to a culture of crafted objects, where even the most functional items are imbued with aesthetic value. This emphasis on form and material suggests an engagement with contemporary ideas about design and the role of decorative arts in everyday life. The parasol ultimately functions as a complex signifier, embodying both practical utility and a deeper cultural language of luxury, taste, and social identity.