Vest van cremekleurige satijn met hoge opstaande boord, schuin weggesneden voorpanden en opgenaaide zakkleppen, versierd met blad- en bloemmotieven geborduurd in cremekleurige zijde. by Anonymous

Vest van cremekleurige satijn met hoge opstaande boord, schuin weggesneden voorpanden en opgenaaide zakkleppen, versierd met blad- en bloemmotieven geborduurd in cremekleurige zijde. c. 1800 - 1825

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mixed-media, textile

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portrait

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mixed-media

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textile

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romanticism

Dimensions length 56 cm, waist 53 cm, height 8 cm

Curator: Let’s turn our attention to a vest of cream-colored satin. Its high stand-up collar, diagonally cut front panels, and applied pocket flaps all point to a garment of considerable status, created sometime between 1800 and 1825. Cream-colored silk thread forms delicate leaf and flower patterns in embroidery across the vest. Editor: Immediately, the monochromatic scheme strikes me. It has an almost ghostly elegance. The subtle floral patterns woven in the fabric are visible as you get closer, creating an ambiance of understated luxury, what’s its impact? Curator: Its surface is incredibly important. The reflective qualities of the satin elevate what would otherwise be a quite conventional design. The way the light interacts with those embroidered details creates visual depth and textural contrast, drawing the eye to precise areas. Editor: Right, beyond the inherent visual allure of its structure and color. Shouldn't we question who wore it and during what moments? Such refined garments were the province of aristocracy. Is this then also emblematic of exclusivity and power? And what about the social environment from which this waistcoat comes? Curator: Absolutely. Considering the broader context, we can see this garment, for all its surface appeal, is the product of very specific social conditions. This would have been worn by a man of leisure and likely privilege. Its design adheres to the codes of Romanticism with its emphasis on nature, evident in the floral motifs. Editor: And it prompts thinking on related class structures; wealth generated, extracted and redistributed from the labor of others to yield such beauty is what stands out. Despite the undeniable elegance, it seems almost irresponsible when looking through that lens. Curator: A valid observation, that forces us to remember the waistcoat is more than simply threads woven attractively. Looking closer at the craftsmanship allows us a further perspective. Note how skillfully the tailor integrated form and design. Editor: By considering its historical implications and intrinsic worth, both beautiful and complex, it serves as a potent historical record. Curator: I agree. It invites us to admire, while encouraging critical reflection.

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