Engel leunend tegen het onderstel van obelisk met een pijl en een hart in zijn hand by François Tortebat

Engel leunend tegen het onderstel van obelisk met een pijl en een hart in zijn hand 1664

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print, engraving

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allegory

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baroque

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print

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old engraving style

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figuration

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line

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history-painting

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engraving

Dimensions: height 257 mm, width 157 mm

Copyright: Rijks Museum: Open Domain

Curator: What a striking image. We are looking at "Engel leunend tegen het onderstel van obelisk met een pijl en een hart in zijn hand," an engraving made in 1664 by François Tortebat. Editor: It's quite delicate, this print. There's a fragility in the lines that speaks to the material's potential for both detail and ephemerality. Almost feels like it could disappear if you touch it. Curator: And yet the image is so rich with symbolism. The angel, obviously a messenger of love and possibly suffering, leans on this imposing obelisk, itself often a symbol of power and remembrance. The heart pierced by an arrow held in its hand signifies... Editor: Pain, sacrifice...or perhaps a call for reflection. Look at the tiny figures carved on the pedestal of the obelisk itself, a miniature drama in stone that parallels the angel’s own somber stance. Are they toiling to erect the monument, representing collective effort? The labor involved contrasts the ethereal lightness of the angel. Curator: I see what you mean, the act of creation etched onto the creation. That panel depicting figures at labor does seem to solidify your point. The winged figure is shown offering their heart, representing love or passion, but also loss or sacrifice in the presence of cold hard reality. It really pushes the question what good is spiritual symbolism or the idea of "love," in the world? Editor: And it all boils down to the process, doesn't it? The artist’s labor in creating this piece, the engraver's skill. Think about the copperplate, the acid, the repetitive gestures… Curator: It pulls us back into history. Into an allegorical style but one that does relate to tangible human struggles. I keep coming back to the title: Angel leaning against the base, it could have continued further in describing that moment in which this angel’s action and emotion represent history as the foundation of its feeling and our own. Editor: So it's about locating emotion in physical experience. Curator: Precisely. I feel this work balances between material and symbolic concerns in such a fascinating way. Editor: Absolutely. This exploration through Tortebat's engraving leaves one with a sense of how physical creation, historical weight and cultural symbolism deeply intertwined with human condition and values.

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