Wilt gy van myn wat huisraad koopen. / Zoo behoeft ge by geen buur te loopen by D. Lijsen

Wilt gy van myn wat huisraad koopen. / Zoo behoeft ge by geen buur te loopen 1836 - 1849

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graphic-art, print, engraving

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graphic-art

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print

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genre-painting

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engraving

Dimensions height 434 mm, width 345 mm

Curator: This engraving, “Wilt gy van myn wat huisraad koopen. / Zoo behoeft ge by geen buur te loopen” dating from 1836-1849 by D. Lijsen, presents a grid of household objects with touches of red and blue watercolor. What strikes you about the composition? Editor: The sheer number of objects is quite captivating! It’s almost overwhelming, this array of teapots, cups, and scales, all presented in such an orderly way, but made a little chaotic by the added watercolours. What do you see in this piece beyond just a collection of things? Curator: Consider the composition. Each object sits upon a defined line, creating a rigorous structure. Yet, the loose application of red and blue watercolor introduces an element of the aleatory, disrupting the implied order. What effect might this have? Editor: I suppose it adds a human touch, moving it away from just being a purely functional display. The colors make each object pop, highlighting their individual forms. Is the contrast the artist’s primary concern here? Curator: Precisely! The tension between the structured engraving and the free-flowing watercolor creates a dialogue about order versus disorder, precision versus chance. Look at the variation in line weight within the engraving itself—it defines the forms. Editor: So, even in the seemingly simple presentation of household goods, the artist explores complexities of structure and execution. The print becomes about the interplay of contrasting artistic gestures and less about representing those everyday items. Curator: Indeed. The essence lies not merely in representation, but in the relationships forged through the application of line, form, and color. Editor: That's fascinating! I initially saw it as a basic catalogue, but now I appreciate the artist’s choices in construction, marking it as a rich work. Curator: By analyzing these internal relationships within the print, we find meaning and artistic intent beyond mere depiction.

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