drawing, lithograph, print
drawing
lithograph
caricature
romanticism
genre-painting
Copyright: National Gallery of Art: CC0 1.0
Editor: This lithograph, "Robert Macaire banquier et juré," is by Honoré Daumier and dates from the 19th century. It's a caricature, and it immediately strikes me as darkly comic. What is your read on this work? Curator: Ah, Daumier! A master of social critique disguised as… well, let's be honest, not-so-disguised humor. The piece portrays the notorious Robert Macaire, a fictional character who embodies greed and moral corruption. Do you notice how the artist exaggerates the banker's girth and the juror's skeletal frame? He’s twisting them to resemble an unwholesome pair. Think Laurel and Hardy, if Laurel and Hardy were actively plotting to swindle you out of your life savings! It serves as a potent commentary on the ethics, or lack thereof, in the financial and legal worlds of the time, don't you think? Editor: It does! And it seems the character's name contains a message too, because it resonates with 'mauvais', or 'bad', in French! But how much do you think his portrayal is influenced by the artistic trends of the time? Curator: Daumier, while definitely having Romantic flourishes, mostly moves beyond Romanticism by rooting himself in the here-and-now. But that is what is wonderful with him: He gives the artistic trends of the time a 'mischievous makeover'! Daumier invites us to reflect on power, ethics, and the eternal dance between the powerful and the vulnerable. So, do we come out of viewing it thinking that Daumier’s work has lessons that still resonate today? Editor: I think it definitely does! The idea of mocking those in power still feels fresh and vital, and that is the power of the piece for me. Thanks for the insight!
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