Dimensions: object: 1910 x 1220 x 220 mm
Copyright: © Stephen Willats | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Standing before us is Stephen Willats' "Visual Field Automatic No.1." Editor: I’m struck by the stark geometric quality and the interplay of colors. It feels almost like a coded message. Curator: Willats often explored cybernetics and systems theory through art. The arrangement of these illuminated squares and the central disc might represent feedback loops or communication networks. Editor: The materials, particularly the combination of light and dark surfaces, create a compelling sense of depth and dynamism. It's more than just a flat plane; there's a spatial relationship at play here. Curator: Precisely! Willats' work was deeply engaged with the social context of urban environments, reflecting on how individuals interact with technology and information systems. Editor: It feels both futuristic and strangely retro, a fascinating intersection of technology and art. Curator: Indeed, it provides us with much to consider regarding art's role in reflecting contemporary society. Editor: A fascinating piece, offering a glimpse into Willats' unique artistic language.
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http://www.tate.org.uk/art/artworks/willats-visual-field-automatic-no1-t11786
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Visual Field Automatic No.1 1964 is a large rectangular wall-based construction made from wood and plywood that is painted black and on which five lights are mounted. Four of the lights are individually housed within square frames and are placed at each of the four corners of the black rectangular structure, and each of these lights is set behind a piece of plastic of a different colour (blue, red, green and yellow). A single, circular white light is positioned at the centre of the structure. All of the lights are linked to a circuit board that is hidden from view, and they flash one at a time in a series of random computer-generated sequences.