Chiyokichi’s Mother Identifies Him and Solves a Case of Mistaken Identity 1875

This woodblock print was created by Tsukioka Yoshitoshi in the late 19th century. At its center, observe the dramatic gesture of the mother, arms outstretched, as she identifies her son. This emotive expression links to a long chain of artistic representation. Consider the figure of Mary Magdalene at the crucifixion, or ancient depictions of mourning women. The raised arms speak to primal emotions of grief, recognition, and desperation. Note the two officers holding batons who restrain the son, as they also raise a hand. The mother’s and the officers' raised hands form a symbolic echo, yet contrast in meaning. The mother's gesture embodies love and recognition, while the officers' hand wielding a baton suggests authority and control. The motif of the raised hand reappears throughout art history, imbued with different yet related connotations. Here, it evokes a powerful, subconscious response, connecting viewers across time through shared human experiences.