Ambachten, bedrijven by Albertus Willem Sijthoff

Ambachten, bedrijven 1861 - 1929

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lithograph, print, poster

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dutch-golden-age

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lithograph

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print

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genre-painting

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poster

Dimensions: height 412 mm, width 342 mm

Copyright: Rijks Museum: Open Domain

Curator: This is "Ambachten, bedrijven," or "Trades, Businesses" a lithograph print created between 1861 and 1929. It’s currently housed here at the Rijksmuseum. Editor: My first impression is one of gentle observation, like peering into different worlds coexisting on a single page. There’s a real tenderness in depicting these everyday labors. Curator: Absolutely. Prints like this one, often distributed as posters, played a vital role in shaping public understanding of labor and commerce. They romanticize, perhaps, but also recognize the value in diverse professions. Consider how these images served as visual lessons in civic life. Editor: I see it almost as a collection of little poems in action, each vignette telling its own miniature story of toil and craftsmanship. Take the figure tending the furnace; he looks positively heroic amid the smoke and fire! There's a beauty, and a touch of magic, in seeing these moments captured. Curator: These images weren't simply celebrating work; they reinforced societal roles. Notice how gender is depicted. Women are primarily in domestic roles. These prints mirrored and solidified societal expectations about who did what. Editor: Still, there’s something inherently egalitarian in presenting such a range of professions side-by-side, lending them a similar weight. It’s as if each task is a brushstroke contributing to the grand painting of society, and a reminder that every occupation offers a means to make and create something beautiful in the world. Curator: That’s beautifully put. Reflecting on the social function of art, works like "Ambachten, bedrijven," give us invaluable glimpses into a past when these trades formed the backbone of a community. Editor: And for me, seeing this today, there is such beauty in capturing everyday movements. It speaks to a world that, in its own way, has been lovingly assembled.

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