Kalenderblad voor april 1896 1895

Theo Nieuwenhuis created this calendar page for April 1896, likely as a lithograph or similar printmaking technique. At first glance, the design might seem purely functional, but its aesthetic choices reveal deeper artistic considerations. The composition is structured by a grid, typical for calendars, yet it is softened by organic, rounded shapes. Notice the border, punctuated with what appear to be stylized gemstones in a range of muted yellows, greens, reds and blues. These add visual interest and a handcrafted feel, contrasting with the rigid structure of the calendar itself. The lettering and numerals, while clear, have a flowing, calligraphic quality that prevents the design from feeling overly mechanical. The color palette is restrained, dominated by earth tones, which aligns with the aesthetics of the late 19th century while alluding to nature. The calendar destabilizes the stark functionalism of modern timekeeping, suggesting a harmonious blend between the natural world and the industrialized concept of the calendar, which could be read as an artistic interpretation of time itself.