Portret van Georg Andreas Imhoff before 1737

This is Bernhard Vogel's portrait of Georg Andreas Imhoff, rendered entirely in ink on paper. Notice how Vogel coaxes depth and texture from a humble material, creating the illusion of luxurious fabrics and even skin. The image would have been achieved through skilled engraving and etching, processes that demanded exactitude and precision. The density of lines determines the tones, with the darker areas requiring more labor. Look closely at the wig, where the fine lines suggest an almost unbelievable lightness. This wasn't just about technical virtuosity, however. Imhoff was a wealthy man, and the print would have served to amplify his status. Vogel has laboured to create a portrait of a man who has not laboured at all, a true display of class distinction. It’s a reminder that the distinction between art and craft isn’t so clear. Though this work may not be made from precious materials, it is through the skill, time and labour involved in production that it acquires its true value.