Portret van Christoph Andreas Im Hoff 1683 - 1693

Editor: Here we have "Portret van Christoph Andreas Im Hoff," created between 1683 and 1693, currently housed in the Rijksmuseum. It's an engraving, so metal and printmaking are key here. The detail is quite stunning! What jumps out at you when you examine the piece? Curator: The choice of engraving as the medium immediately directs my attention. Who was commissioned to make this, and what was their access to resources, tools, and workshops? These engravings existed in multiples and are more accessible objects; not unique paintings, not destined for only wealthy families, and perhaps found more wide-spread socio-political purpose. Editor: That's a good point. Thinking about who the engraving would be for changes the experience of viewing it. The prints would serve as political statement and the access points for the public. Curator: Precisely. Furthermore, examine the surrounding symbols and text included. The frame incorporates imagery like weapons and laurel, suggesting Christoph Andreas Im Hoff's role. The Latin text further informs the purpose, and intended audience. What was Christoph Andreas Im Hoff’s position in society that he required or warranted an engraving for? What statements were the piece trying to make through it materials, its production and it subsequent distribution? Editor: Now that I think about it, that is something that definitely requires investigation to be able to grasp its significance! Curator: Exactly! Seeing the piece as just a picture does not suffice: it is about its means of manufacture, labor and consumption during a specific timeframe.