Machines in een hal van suikerfabriek Meritjan te Kediri op Java by Isken

Machines in een hal van suikerfabriek Meritjan te Kediri op Java c. 1925 - 1930

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aged paper

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photo restoration

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light coloured

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design document

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personal journal design

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archive photography

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historical photography

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journal

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plant

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paper medium

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letter

Editor: So, this photograph, "Machines in een hal van suikerfabriek Meritjan te Kediri op Java," taken sometime between 1925 and 1930, presents an interior view of what I understand is a sugar factory. The machinery is incredibly imposing, almost ominous in its scale. What strikes you when you look at this image? Curator: The wheels are definitely the most powerful visual symbol here. These aren't just cogs; they represent industry, progress, but also, perhaps, a certain form of colonial power. Consider the setting – Java. Factories like this extracted not only sugar but also wealth, altering landscapes and traditional ways of life. The wheels keep turning, embodying that ongoing process. Do you see any connection between the machinery and, say, the labor that sustained it? Editor: That’s an interesting point. The absence of people is striking. The machines are presented almost as characters themselves, devoid of human presence yet completely dependent on it. I hadn't considered the colonial aspect so explicitly, but it makes complete sense. Is there a symbolism of that period that connects the landscape to exploitation? Curator: Precisely. Look closely – the controlled, geometrical rigidity of the machines contrasts sharply with the potential organic chaos of the fields outside. The symbolism extends beyond just the factory walls; it reflects the imposition of industrial, Western models on a traditionally agrarian society. These machines become symbols of cultural imposition and transformation. What do you make of that interplay between the industrial and the organic? Editor: It is such a fascinating connection that binds culture with this imagery! It really is very thought-provoking to see this piece under the lens of industry versus local culture. Curator: Exactly! Images like this are rarely just records of what was; they're potent conveyors of what that period represented – the cost of progress and the unseen stories imprinted in the cultural memory.

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