X-radiograph(s) of "Portrait of a Man" 

Curator: Looking at this X-radiograph of "Portrait of a Man," attributed to the workshop of Lucas Cranach the Elder, I'm struck by its ghostly quality. It reveals secrets beneath the surface. Editor: Yes, it's like a peek behind the curtain of history. I find the geometric grid imposed on the image quite jarring, almost as if society’s structures are trying to contain this man's image and identity. Curator: That grid, likely from the panel it’s painted on, becomes an accidental symbol. It reminds us how portraits, especially of men, were used to solidify power structures. Editor: But the X-ray defies that power; it undermines the final image. What do we truly know of this man now that his portrait has been rendered in this way? Curator: It compels us to confront the layers of history, literally and figuratively, that shape our understanding of identity and representation. Editor: Indeed. It transforms our perception of the original painting, prompting us to question the narratives we've constructed around art and the people it depicts.