Liggend varken 1756 - 1797

Editor: This is "Liggend varken," or "Reclining Pig," a drawing in pencil and charcoal by Hendrik Willem Schweickhardt, dating from between 1756 and 1797. It's surprisingly endearing; the pig looks so peaceful. What do you see in this piece? Curator: I see a powerful statement about the representation of animals, particularly within the context of the 18th century. Schweickhardt isn't just depicting livestock; he's inviting us to consider the inherent worth and dignity of a creature often reduced to its utility. How does this portrayal challenge the dominant anthropocentric worldview of the time, and even our own? Editor: That's an interesting perspective! I hadn't thought of it as a challenge to anthropocentrism. I was just focused on how cute the pig is! Curator: "Cute" is a valid reaction, but it also offers an entry point. Consider how societal structures dictate what is considered "cute" and worthy of our affection. Often, animals are only granted consideration if they appeal to human sensibilities. What does it mean, then, to find beauty or "cuteness" in something like this pig, historically viewed through the lens of agriculture and sustenance? Editor: So, you’re saying the drawing could be interpreted as a subtle form of activism, suggesting a re-evaluation of our relationship with animals? Curator: Precisely! It encourages a dialogue about empathy, ethics, and our responsibility towards non-human life. We must ask ourselves if such images can help us to recognize our interconnectedness with all beings. Is art’s role to make these arguments on their own or instigate further arguments? Editor: That's a lot to consider. I’ll definitely be looking at animal portraits differently now. Thanks for opening my eyes! Curator: And thank you for yours; your observation about its endearing quality reminds us of the simple connections art can create.