Habitus et cultus Matronarum Nobilu et Rusticarum (Clothing and Manners of Noblewomen and Countrywomen) by Adriaen Matham

Habitus et cultus Matronarum Nobilu et Rusticarum (Clothing and Manners of Noblewomen and Countrywomen) 1619 - 1623

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engraving

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portrait

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medieval

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baroque

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figuration

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line

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portrait drawing

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genre-painting

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engraving

Dimensions: height 197 mm, width 139 mm

Copyright: Rijks Museum: Open Domain

Adriaen Matham created this etching, "Clothing and Manners of Noblewomen and Countrywomen," sometime in the 17th century. At first glance, the figure's elaborate ruff and voluminous skirt command attention, establishing a stark contrast with the flat, almost barren landscape in the background. Matham's expert use of line emphasizes the texture of the clothing, creating a palpable sense of depth and materiality. This formal rendering is not merely descriptive; it actively participates in a semiotic system of signs. The woman's clothing becomes a powerful signifier of her social standing and cultural identity. The landscape’s starkness may symbolize the transient nature of earthly status, contrasting with the enduring image of nobility. Ultimately, Matham presents an image rich in formal tension. It prompts us to question the fixed values associated with social status and to consider how such values are constructed and communicated through visual means.

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

This series highlights the contrast between the clothing of Dutch noblewomen and that of women from the provinces. The regional clothing evolves slowly over time, while the fashionable attire of the elite is subject to foreign influences. For example, the woman in plate 1 wears a Spanish, conical farthingale beneath her skirt, while the woman in plate 2 wears the bellshaped version from France.

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