The Mérode Altarpiece 1428

Robert Campin painted the Mérode Altarpiece in the early 15th century, using oil on wood, during a time of immense social and religious change. Campin captures the moment when the angel Gabriel announces to Mary that she will be the mother of Jesus. The altarpiece is a triptych, with the central panel depicting the Annunciation and the side panels showing the donors and Joseph in his workshop. Mary’s identity is central to the narrative, a young woman chosen for a divine purpose. The details of the setting, like the books and domestic objects, reflect the rising merchant class in the Netherlands, bringing the sacred into everyday life. What I find really intriguing is how Campin positions the donors as witnesses, blurring the lines between the divine and the earthly. Joseph, in his workshop, making what appears to be a mousetrap, is a down-to-earth and almost humorous addition. The altarpiece, therefore, not only narrates a biblical story, but reflects the lived realities and evolving identities of its time.